SELF PORTRAIT AS AN INDIGO CHILD

	—after Joe Brainard

I remember my mother singing Hold Me Now
by the Thompson Twins   
and then looking at the universe for a response.   
I remember the song peaked at number 3 on the Billboard Hot 100 in May 1984.   
I remember blue popsicles and stationery from Love of Pete.   
I remember Boris. He lived next door but claimed to have lived on Mars   
in his past life. His favorite TV show was Land of the Lost.  
I remember looking a gift horse in the mouth and saying, “I’m more gifted  
than you.”   
              I remember sitting in my crib and watching my mobile   
and seeing two airplanes crash into the Twin Towers.   
I remember telling my Montessori teacher that Leipzig was the new Berlin   
and that Hitler thought the world was made of ice.   
I remember reading Dune when I was five and identifying as a Bene Gesserit.   
I remember how my tongue was like a floppy disc every time I ate   
mint chocolate chip ice cream.    
I remember riding through a decadent urban world like a lonely cab driver. It was a nameless hour and the streetlights circled like a pack of wolves.   
I remember using my brainstem as an oar to navigate the limbic tides   
while other children played soccer and Little League and had birthday parties at expensive waterparks.    
                  I remember meditating like Marcus Aurelius   
and feeling sorry for kids whose mothers wore Lululemon.   
I remember eating reality sandwiches and declaring them unreal.   
I remember how my Aunt had an allergy to dark blue and green with purple shades.    
I remember playing three-card monte with God.   
I remember swimming in a gene pool without goggles.   
I remember planting star seeds in my father’s garden next to the Brandywine   
and Speckled Roman tomatoes.   
                                    I remember using Saturn as a makeshift punching bag.   
I remember death squads and the right-wing swing of two-piece skirt suits.   
I remember how every kid got their finger slammed in a car door simultaneously.   
I remember reading the rhyme of the flying bomb and predicting the smart-to-hot economy.   
I remember the doctor’s office —always eugenics!    
I remember how my parents named our dog Goldberry because my father spent three days   
at Woodstock and my mother had a Tolkien fetish.   
I remember hating Tolkien.   
I remember how loud the animals were when they talked outside my bedroom window.   
I remember toast that was far too full of bread.   
I remember how my eyes were massive blue slabs   
of Gnomen stone uniting humanity with a living new language.   
I remember how my sister went to the Winter Glow Dance with a boy   
with sideburns like a Tibetan prayer rug.   
I remember how everyone thought my sister and I were twins.   
I remember fate in a pleasant mood and secrets of the sun.   
I remember bending over the hologram on a Saturday night.    
I remember the militarized arm.   
I remember single tap commands and superimposition.  
I remember how sex felt like lilacs in brine and metal chimney vents.   
I remember whipping the horse of Turin   
and listening to Nietzsche’s last words —“Mutter, ich bin dumm.”  
I remember the right hand being bigger than the head, in a convex mirror, in the aero aesthetics of the Bristol-Myers Squibb Offices in Prague.   
I remember the intended meaning of the message.   
I remember how I discovered a cure for AIDS. It was a bright, sunny day and there were robins at the bird feeder.   
                           I remember being poles apart.   
I remember having a birthmark the color of overripe mulberries. I remember not liking mulberries. I remember how my mother   
never sang nursery rhymes like Here We Go Round the Mulberry Bush.  
I remember knowing the unknowable.   
I remember harnessing energy from “The Lightning Field” in New Mexico. Four hundred silver rods blinking against the sky’s blue black flesh synching my DNA to the heavens.   
I REMEMBER THE WIDER MORAL PANIC.   
I remember seeing dead people      like the kid in that movie.       
I remember the lyric shift     archival sources     commentary on the text       
notes on process     leisurely disaster.       
I remember snorting Adderall laid out like the Nazca lines. The next day I pulled   
hummingbirds   
and astronauts   
and trees   
and whales from my nose.   
I remember reading Joe Brainard’s I Remember   
and thinking   
MOTHERFUCKER… I’m an Indigo child I can do better than that.

ABOUT THE AUTHOR

Damon Hubbs is a poet from New England. His latest collection, Bullet Pudding, is forthcoming from Roadside Press in 2026.

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